Hun gay comics

“AllTogether” | Sultan, The Hun and Victor Arimondi

12th May , am

: &#;Shepherd and Satyr in the Moonlight&#;, , Gouache on paper, Framed &#; (cm) x &#; (cm) x &#; (cm)

: &#;Breakfast of Champions&#;, , Graphite on paper, Framed &#; (cm) x &#; (cm) x &#; (cm)

: &#;Fragment of a Same-sex attracted Life 1&#;, , Color photograph, &#; (cm), &#; (cm)

AllTogether features artists from the Tom of Finland Foundation collections.

SULTAN (B. D. , Briton)
Sultan (born John Darcy Nobel) created erotic artwork and was an early activist in the promptly gay rights movement in New York in the s. He assisted Robert Clement in founding The Church of The Beloved Disciple, which was the first church to reach out to the gay and lesbian communities in New York. He is known for his pioneering function as curator of dolls and toys at the Museum of the Capital of New York. Sultan&#;s Salon&#;s library at TOM Residence is named after him.

THE HUN (B. D. , American)
The Hun (born Bill Schmeling), was an artist famous for his explicit, homoerotic fetish illustrations and comics

With the deaths of Tom of Finland and Etienne, The Hun (pseudonym of Bill Schmeling) now is one of the oldest pornographic artists in the USA. Schmeling made his debut, like his Finnish fellow artist, in Physique Pictorial, in which magazine his work appeared under his pen call Torro. Like Tom of Finland, who at a certain point collected his drawings of sailors, cops and blacks in separate albums, also The Hun has begun to compile his work according to subject

After two books with bondage drawings, last year The Hun Guide of Jocks got published. In his introduction, The Hun admits he abhorred gym training and belonged to that dreaded category of boys who were always chosen last when it came to putting together teams. But despite his dislike of sports, The Hun never ceased dreaming of sportsmen and so he gave them a special place in his vivid, perverted fantasy, as The Book Manual of Jocks clearly shows. Not the performance on the field, but the one afterwards, when all that pent up force is still raging through their veins, is what interests The Hun most. That’s when The Hu

#The Hun

Shield-Wizard Comics #8 (October, ). Cover by Irv Novick.

The Shield fights unclean - punch to the throat! - as he battles his shield-wielding nemesis, the Hun!

I wonder if the Hun was a not-so-subtle dig at Timely’s Captain America. Despite the Shield being the first patriotically themed superhero, beating Cap to the scene by over a year, Cap quickly overtook him in popularity.

Not the product of some metallurgical mishap, the Hun’s shield was given to him by the spirit of Attila the Hun himself (with a swastika on his helmet, no less). Attila wanted the Hun to carry on his “legacy of hatred.”

The Shield’s battle with the Hun is continued from the previous issue, and takes up the bulk of this one as well.

The Wizard, despite sharing the title of the book, gets relegated to the assist of the book. Despite the cover image, he does not assist the Shield against the Hun. And don’t ask me who those little red Japanese demons are.

Luckily, Irv Novick’s art improved considerably over the next scant decades. By the ′s he was working for DC as the creator fo

The Hun

PATREON ALBUM PREVIEW

Bill “The Hun” Schmeling was a Portland, Oregon based, homoerotic, homomasculine fetish painter active in the late twentieth and early twenty-first century. His artist name personifies the intense subject matter of his function, which focuses on scenes involving hyper-masculine muscular characters, sadomasochism, prison rape and brutality, leather and uniform fetishes, police and military settings, and other scenes of extreme gay sexuality.

The most notable and enduring characters of the Hun’s works contain Big Sig, a naive fresh male who endures life in a prison setting, and Gohr, a barbarian who inhabits a brutal, sexually-charged post-apocalyptic setting. Both these characters star in their own series of comic works.

The Hun’s works occupy a unique place among queer erotic artists. He has spearheaded a more intense style of artwork that captures scenes and fantasies often avoided by other artists as well as emphasizes a uniquely grotesque style involving oversized body parts, excess body fluids, and other features on a hyper-sexual scale.